I'm coming for you.
The whispers haunt her dreams and fill her waking hours with dread. Something odd is happening. Something...unnatural.
Possession
of the living. Resurrection of the dead. And Natalie Stewart is caught
right in the middle. Jonathon, the one person she thought she could
trust, has become a double agent for the dark side. But he plays the
part so well, Natalie has to wonder just how much he's really acting.
She can't even see what it is she's fighting. But the cost of losing her heart, her sanity...her soul.
Foul Magic: In
DARKER STILL, Natalie steps through a painting and discovers that magic
and demons exist in 1880 New York City. Find out what makes a story
have just the right amount of magic, mystery and suspense as Leanna lets
us in on key elements that make her stories so thrilling.
Praise for DARKER STILL, an Indie Next Selection:
“Fans of historical fiction will swoon at Hieber’s 19th-century vision of a budding New York City.” – RT Book Reviews
“This book will definitely be popular [with] readers who enjoy stories about magic,
“This chilling tale will draw you in and keep you guessing until the very last page!”— Seventeen magazine
· Foul Magic: In
DARKER STILL, Natalie steps through a painting and discovers that magic and
demons exist in 1880 New York City. Find out what makes a story have just
the right amount of magic, mystery and suspense as Leanna lets us in on key
elements that make her stories so thrilling.
My love of
historical fiction was always entwined with my fascination with fantasy and the
paranormal. The Victorian era is a perfect time to entwine spirits, ghost
stories, magic and more because the time period was so fascinated with those
topics. So I’m tapping in to a part of the Victorian psyche just by infusing my
tales with fantastical themes. The trick is always balance. One aspect of the
novel can’t entirely dominate over the other; my world-building on the magical
sense can’t outweigh the development of characters, suspense aspects can’t get
in the way of growth for a character, characters have to grow within their
circumstances and I have to find the most tension-filled way to do so while
still making it “believable”. If the magic, suspense and mystery can all work
together to flesh out the historical world, to reveal character and to keep the
plot humming along then I’ve created a finely-tuned novel. All the elements of
a book have to take turns and pass the relay torch of the journey smoothly and
equally.
A lot of help comes in
the editorial department, and my editor was key in really helping me trim off
the extra fat that didn’t further the plot or tension. A good book requires a few
good exterior eyes that can see to the meat of the novel and bring it forward.
I’m very good at taking direction and I think that makes me not only a better
writer but also someone an editor wants to work with. Also, knowing your
characters intimately; what makes them tick and also what makes them scared, it
helps draw the reader along in suspense when the character dynamic is
viscerally strong. I think the way Natalie’s nightmares play into the Magic
Most Foul saga gives the reader a very intimate view into private fears and
horrors, and that helps ratchet up the tension from one chapter to the next. My
favourite genres as a reader are Fantasy, Mystery and Horror, and I’m not
invested in the story if there isn’t a romance somewhere within the plot. I merely
have blended all my favourite genres together into one series, and because I
want to give each genre equal play, it ends up balancing out.
